Hannah Stocking Stars in and Executive Produces TikTok Thriller Player
TikTok and Made By Us Studios announced Player, a romantic revenge thriller starring Hannah Stocking, who also holds co-story and executive-producer credits.
The editorial desk of the Vertical Production Association of America. The Newsroom reports on casting, platforms, standards, and the people building the vertical format, and publishes the association's own announcements. Stories are written and edited by association staff. Tips: info@vpaa.us.
TikTok and Made By Us Studios announced Player, a romantic revenge thriller starring Hannah Stocking, who also holds co-story and executive-producer credits.
Eric Guilmette and Bella Mraz lead Hollywood Starlet, a vertical series from The Bold and the Beautiful creator Bradley Bell, joined by Molly Anderson.
PEOPLE lists Noah Fearnley among the guest stars of Hulu's All's Fair Season 2, a new example of vertical-drama performers building careers across formats.
aTwist's three-title 'To Die For' slate puts established Hollywood names on both sides of the camera, the clearest sign yet that vertical drama is drawing talent that could work anywhere.
The platform says its original stories will not normalize women being slapped, beaten or abused. VPAA asks whether every vertical platform should adopt the same standard.
Room418 is developing a vertical reimagining of George A. Romero's 1968 landmark as part of a larger horror slate. Can cliffhanger episodes carry slow dread?
'The Compatibility Experiment' premieres October 14 on TikTok and PineDrama, hosted by Jana Craig and starring Tajh Bellow and Loren Sharice.
From prime-time television in Hungary to ten vertical drama leads in Los Angeles, Budavari is one of the format's most visible faces and a model for how an international career crosses into vertical.
David Oyelowo, Nate Moore, Shortical's Guy Shimoni and aTwist's Jana Winograde discussed how revenue, speed and shrinking traditional pipelines are moving vertical into the center of the business.
The actress told PEOPLE that vertical recognition is real but that male leads often earn more. VPAA asks whether productions should publish rate ranges.
The Vertical Production Association of America launches its newsroom. Reporting on casting, platforms, standards, and the business of 9:16, from the body that sets the format's standards.
Two archival storylines are being repackaged into roughly 150 minutes of vertical episodes. That distinction raises consent, credit and compensation questions for the original cast.
Sarah Moliski and Felix Merback have made a specialty of antagonists audiences cannot ignore. In a format built on conflict, the villain may be the real star.
Autoplay, three seconds, a completed episode, or a paid impression. When view counts shape casting and pay, talent deserves transparent, consistent reporting.
Upload your sides, choose your role and start reading. The association's self-tape tool removes the scheduling problem from audition prep, with a free first week.
Vertical drama thrives on obsession and jealousy. When control is presented as proof of love, the line between romance and manipulation gets harder to see.
Governor Newsom signed SB 1050, requiring disclosure when video and audio ads use AI-generated performers. For vertical, the bigger question is how actors' faces are protected.
Actors should not chase their scenes for months or years. The association is asking filmmakers, producers and platforms for usable scenes, a delivery timeline and reel permission.
Vertical dramas are built on hooks. A cliffhanger should raise the stakes, not leave the audience feeling tricked into paying to finish a sentence.
Nicole Mattox, Mariah Moss, Savannah Coffee and Meg Bush are among the faces building vertical drama. Visibility is not enough; growth should mean fairer pay, safer sets and consent over likeness.
Shorts and FMA Productions launch the FMAxShorts collaboration with a romantic microdrama produced in part by the actors who built the format.
Tess Din, Faith Orta, David Eves and Haley Lohrli told Business Insider that AI-generated promotions placed their likenesses in sexual scenes. Permission to promote a show should not erase consent.
Fulop Budavari, Noah Fearnley, Jesse Morales and Seth Edeen are each building a distinct presence. Who gets the billionaire, the mafia boss, the forbidden ex and the alpha?
The city council directed staff to develop a proposal including funding, reduced permit costs and faster approvals. It is a proposal, not yet an application process.
Omdia data reported by Reuters shows the audience more than doubled in a year, with U.S. revenue projected at $1.5 billion. At what point does 'niche' stop applying?
The 'Younger' star joins vertical leads Jake Lively and Katelyn Rose in Crazy Maple Studio's adaptation of Sierra Simone's trilogy, beginning with 'Salt Kiss.'
ByteDance's U.S. test of LimeShorts offers limited free episodes before a paywall. The price point tests how much the format can charge.
Paste your sides, and the studio casts every other character and reads opposite you, on cue, while you tape. A short demonstration from the association.
Led by Jana Winograde and Lloyd Braun with a third co-founder, and drawing on experience across Showtime, NBCUniversal, Warner Bros. Television, ABC and WME, aTwist is another major bet on vertical.
Deadline reports the Crazy Maple Studio platform is tracking toward a billion dollars. As revenue grows, what should improve first: talent pay, production value or working conditions?
'Love, Lies & Frank' is a notable crossover of established talent into mobile-first scripted content, and one of the early productions operating under the union's new vertical terms.
'Salt Kiss,' 'Honey Cut' and 'Bitter Burn' adapt Sierra Simone's Lyonesse series across three September premieres, with Tortorella as billionaire Mark Trevena opposite Jake Lively and Katelyn Rose.
VIRTUE Asia, V47 Entertainment and COL Group announce the first upfront dedicated to microdrama, as VerticalDrama.tv tracks 3,804 titles across 34 platforms.
One of the world's largest entertainment brands enters vertical drama, another signal that the format is attracting major global companies.
ByteDance is reportedly testing a standalone paid microdrama app, a strong signal that the company sees vertical drama as a business rather than a content category.
The response to the association's call for vertical actors was larger than expected. The conversation is not ending; it is starting.
As Marvel's search for young, unknown talent continues, the association is identifying vertical performers it can put forward.
Screen presence, chemistry, reliability, audience appeal and the ability to deliver on a compressed schedule. In vertical, the right lead makes the difference.
Not for the reasons most people assume. Speed, cost, the deepest talent pool in the world, and a state tax credit expanded to $750 million are pulling the format to LA.
One of the most recognizable female leads in vertical entertainment, Green has earned audiences with charisma, emotional range and a growing body of standout work.
Platforms are listening to audiences. The association asked which of the four levers matters most.
Industry insiders across major platforms report a shift back toward live-action. Viewers are not paying for AI shows at the rate they pay for human-led stories.
The format has become a multi-billion-dollar business. Actors are the most visible, but producers, writers, platform executives, studio owners and investors all have a stake.
The NBCUniversal streamer has launched microdramas using licensed ReelShort series while developing originals with Bravo personalities. Which streamer is next?
New stories, new voices and new audiences are arriving in the format. The association asked the community for its favorites.
The genre's most successful productions are driven by female audiences and centered on female protagonists. If a female lead drives the hit, should her pay reflect it equally?
'Between Father and Son' arrives in 7-to-10-minute episodes, bringing the format to the world's largest streaming platform. Is this the beginning of a bigger shift?
A major streamer licensing vertical dramas could mark a turning point for creators and actors who built audiences in the format first.
As Fox, Crazy Maple Studio and former network executives move into the format, the producer career path is being rewritten.
As studios race to lower costs and increase output, many insiders believe AI-generated vertical storytelling could become one of the industry's biggest disruptions. The association is less sure.
VPAA has formally retracted its earlier report on a Noah Fearnley deal over sourcing standards. The response to it proved something the association did not expect.
Editor's note: VPAA has retracted this report. It did not meet the association's sourcing standards. It is preserved here with this correction.
A-list talent is no longer dipping a toe into the format. Diggs is building a production company around it.
Disney+ has launched a vertical drama feed with original series including 'Locker Diaries: Zombies.' One of the largest studios is embracing the format.
$90,000 to $180,000 a year is now common for consistent performers in the format. A new middle class of working actors is forming around it.
Rovner's new venture brings 'joy scrolling' and the spirit of classic soaps and romances to the vertical format, as more senior traditional executives enter the space.
GammaTime is turning decades of tabloid true-crime into phone series, starting with the Drew Peterson case. Tabloid drama in short episodes is a natural fit for the format.
Backed by Google Ventures, the premium platform aims to raise the bar for vertical content.
Vertical drama is not just growing; it is profitable. A single quarter at this scale establishes the format's business model.
New series launch this month under the deal. Hollywood stars are betting on the format.
ReelShort users average 35.7 minutes a day against Netflix's 24.8. The phone is winning the attention contest.
The vertical boom is getting academic training. A university course built with a platform is a sign the format expects to be around for a long time.
Big Tech is now eyeing the vertical drama boom. The landscape is shifting fast.
Hollywood's vertical investments are accelerating as the format goes mainstream.
The platform's most forbidden series to date opened to the largest first-day numbers in its history.
Forbidden desire is the format's growth genre. ReelShort's newest release pushes further than anything the platform has shipped before.
The latest in the platform's run of high-tension romances.
The vertical leader is beating major streamers on engagement as the format reshapes mobile entertainment.
The livestream includes a vertical feed for the Quasar stage shot on Google Pixel phones, plus multiview and creator commentary. Vertical production reaches the world's biggest festival.
The vertical drama lead is reportedly being considered for a major role. From Hungarian television host to the red shorts, the crossover is becoming real.
Helena Bonham Carter, Vincent Cassel, Steve Coogan and Kumail Nanjiani lead a reported ensemble for HBO's fourth season, shooting on the Côte d'Azur through October. Why a prestige casting round matters to vertical talent.
The hit series, known in English as 'Till Jail Do Us Part,' becomes a mobile-first microdrama in a major move by Spanish-language television into the format.
The platform is casting soap-opera-style vertical series that blend social virality with short-form serialized storytelling.
The Netflix reality favorite takes his first scripted role in 'One Year Love' on FlareFlow, premiering April 9. The crossover era of vertical drama has begun.
FlareFlow presents the Vertical Drama Love Fan Awards at the El Portal Theatre on April 23. Every winner chosen by fans, with no jury and no industry gatekeeping.
Cash prize, studio access and global submissions. The festival circuit has gone 9:16.
No trailers, no green rooms, 600 lead roles cast a year. The fastest-growing format in Hollywood has no rules, and the 'Dancing With the Stars' pro's experience shows why that matters.
Government certification means vertical short drama qualifies for Canadian production incentives. It is a nationally recognized film industry now.
Fox bought equity in MyDrama. Disney selected DramaBox for its accelerator. Paramount, Lionsgate and Hallmark are in. The gold rush is over; the industry has arrived.
The format's apps now command more daily minutes than the two largest streaming services. It is the clearest sign yet of where mobile attention is going.
The platform's production commitment is more original scripted content than most networks make in a decade. Leads earn $600 to $1,000 a day; seasons shoot in seven to ten days.